/ Hail the Curtainbreaker / Chapter 17: The Night the Net Closed (I)

Chapter 17: The Night the Net Closed (I)

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On the night of the operation, the fog lay heavier than usual over the Low City.

Blue-glass lamps came alight one by one along Undertakers' Street, tinting the fog a pale watery hue. Midnight drew near. The coffin shops and stonemasons' yards were dark. Only beneath the House of Repose did a thread of warm yellow light show through a ground-level vent, accompanied by music so faint it was almost not there—as if someone far below were playing a very old organ.

The Vesper Bureau spread its net through the fog.

Thirty members of the Operations Squad sealed all seven exits from the Low City. The dead drop at Saintgrace Bridge had been silently taken over two hours before. Toward the Magpie Pawnshop, another team watched Mrs. Margot's carriage. She had left Riverbend Street an hour ago and was now following the canal toward the Low City, carrying the final three wax figures.

Sharlo lay flat on the roof of the stonemason's opposite the House of Repose. Viola was beside him; beyond her lay Grey. The old inspector had come in person tonight, wearing an antiquated operations uniform several decades out of date. He lay motionless on the tiles, like a weathered statue.

No one spoke during the two-hour wait. The Low City possessed its own peculiar quiet—the neighbours of the dead were not a noisy lot. Only the blue-glass lamps waxed and waned in the fog, while the sound of canal water seeped in from far away.

Sharlo counted his heartbeats. At three hundred, Viola suddenly took something from inside her coat and slid it across the tiles to him.

A brass whistle. Shorter than regulation issue, with a tiny R engraved on its body.

"Those two I gave you last time were spares." Her voice was so soft it almost dissolved into the fog. "This one is mine. A tone higher than regulation. I'm the only person in the Bureau who blows that note. If you sound it, whatever the regulations say and whatever my orders are, I come first."

Sharlo held the whistle, still warm from her body, and for a moment found no words.

"Don't misunderstand." Viola never took her eyes from the House of Repose's vent. "Reciprocal clause under your three rules. You promised that if the words above my head were about to kill me, you would tell me. My reciprocal undertaking is this: if you are about to die, I will come. Partnership Regulation, section—"

"Raven."

"...Yes?"

"Thank you. I'm keeping it." Sharlo tucked the whistle close to his skin. "Also, you just let slip a word I didn't understand."

In the darkness, Viola was silent for two seconds. "A verbal error. Resume observation."

Two paces farther on, Grey's scarcely audible voice drifted over. "Young people who flirt on watch lose their allowances."

Both young people lowered their heads an inch. In the night, one corner of the old inspector's mouth curved almost imperceptibly, then settled back into stone.

"Confirm positions, all teams." Grey spoke into a communication candle, his voice no louder than fog. "Remember two points. First: no one moves until Mrs. Margot enters the cellar and the fragment leaves its host for the figure. We cannot remove it while it clings to living flesh. Only during the rite will he invite it out with his own hands. Second: remember the Grand Organist. Every time that man has been surrounded in his life, he has prepared one move more than the people surrounding him. Our plan has three layers tonight. His probably has three as well. The contest is whose fourth layer comes off first."

The clatter of carriage wheels drew near through the fog.

Mrs. Margot alighted. Tonight she wore a silver-grey evening gown, as if bound for a concert, and carried a wooden casket into the House of Repose with her own hands.

In the final three steps before she entered the doorway, Sharlo made out the words above her head.

The scarlet script burned more fiercely than he had ever seen it. Flourished lines overlapped to weave half a cloak: 【The Scarlet Queen will return tonight】. Beneath them, crushed almost out of sight, the little amber words belonging to Mrs. Margot herself had faded like a dust-filmed window. Only the final line still shone, faint and stubborn as a wick burning to its root:

【Before it begins, she wants to polish the little glove one more time.】

Sharlo's fingernails bit into his palm.

The old woman checked for half a step beneath the arch. No one knew what happened in that half-step. She lowered her head slightly and looked at the casket in her arms, then raised one hand and pressed it lightly to her breast—through the gown, against some small square outline in an inner pocket.

Then the scarlet tide surged up and drowned the line of amber. She straightened and walked inside.

The door closed behind her.

"Did you see?" Sharlo's voice was badly hoarse. "She brought the glove. She's carrying her daughter to the scaffold. Raven, when it starts, leave Mrs. Margot to me. The host the fragment chose isn't altogether dead yet. As long as that little line shines for one more day, there is one more day in which she can be pulled back."

"Regulations designate her Target B," Viola said.

"Regulations also say 'dispose according to circumstances,'" Grey's sepulchral voice put in from beside them. "I hereby authorize the consultant's account of those circumstances. Target B comes out alive."

"Move," Grey said.

* * *

The sight beyond the cellar vent was ten times more startling than the photographs.

Dozens of little candles lit the wax theatre in warm yellow. Forty-nine wax figures sat in orderly rows. Only from this close could one see how well they had been made.

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Every face was carefully carved: old and young, men and women—and then Sharlo's stomach clenched. He recognized one. At the end of the third row sat a young labourer with his sleeves rolled in three turns.

Mick. No, not Mick himself. It was "Mick, if he had pawned his sorrow and taken a seat here." Forty-nine wax figures, forty-nine faces, every one belonging to someone who had pawned something at the Magpie Pawnshop or whose measure Mrs. Margot had taken in the last six weeks. The Grand Organist had modeled an entire audience from his "customers."

Onstage, the cosmetician adjusted the collar of the final figure. He wore no apron tonight, but an old-fashioned tailcoat. On his mild round face was an expression Sharlo had never seen there: almost devout, the calm of an eve before battle.

Mrs. Margot set her casket onstage and opened it. On the velvet within lay a scarlet crystal the size of a fingernail, like a petal of solid flame—a fragment of the Scarlet Queen's crown.

"Everyone is here." The cosmetician surveyed his wax audience and spoke softly. "Ladies and gentlemen, it has been twenty years. Your indulgence, please. Tonight is the first time this old man has ever staged a play for himself."

He sat at the side of the stage, where a small, old reed organ stood, and laid ten short thick fingers on the keys.

At the first note, all forty-nine wax figures opened their eyes.

On the roof, the cold moved inch by inch through Sharlo's blood. Beneath the sculpted wax lids was not wax, but something moist, with the texture of living eyeballs, capable of turning. Forty-nine pairs of eyes fixed on the stage in unison—attentive, adoring, full of tears. Forty-nine pawned loves gazed from the depths of their waxen shells upon the only play they would ever see.

And he knew them.

He had read the underlying files again and again until all forty-nine pawn tickets lived in his head. Now, looking through the vent, he identified them one by one—

Second from the left in the front row, the figure dressed as a captain leaned a little forward, both hands gathered over its knees as if bracing against a lifetime of wind on deck. The old sailor's homesickness. It watched the stage as it might watch a sea whose shore it could never reach.

In the middle of the second row, a figure in judicial robes sat perfectly straight. Only its right forefinger moved, tapping over and over against a gavel that was not there. The retired judge's remorse. Thirty years on, it was still bringing down that blow.

Near the aisle, a young woman in an apron cupped both hands before her, palms upward. The midwife's hands still held the shape of something they meant to catch.

And there was the figure of a mother. It did not watch the stage. Alone among the forty-nine, its face was turned slightly toward the cellar entrance—toward the door. A disappointment on which the interest had been privately halved, watching until death for the door through which her son might return.

"Sharlo," Viola whispered beside him. "Your hands are shaking."

"I know." He did not look away. "Raven, remember something for me. However the fight goes tonight—if those forty-nine can be spared, spare them. Everything inside them has to go back to someone living. Break one, and somewhere in the city is a family whose door we won't even know how to approach."

"Noted." Viola paused, then added, "You remember something too. Don't spend yourself protecting wax people. Everything inside your body has to go back to someone living as well."

Sharlo glanced at her. In the darkness, Viola's stare remained nailed to the cellar, as though the last words had not come from her.

Mrs. Margot walked to the centre of the stage. The music changed key.

The scarlet words above her head blazed and poured down over her shoulders—the same burning wedding dress Juliet had worn that night. She opened her arms, and beneath the organ music her old voice grew younger by degrees:

"I have returned—"

"Now!" Grey's voice exploded from the communication candle. "Sound the bell!"

From seven directions around the Low City, the brass whistles of the Vesper Bureau shrieked at once. The three figures on the stonemason's roof plunged through the window. The Operations Squad breached both cellar entrances simultaneously. Sacred-Flame flash charges sailed into the theatre, swelling into white brilliance—

And then the fourth layer came off.

Only it was not the Vesper Bureau that stripped it away.

The flash charges flooded the theatre with white light. All forty-nine wax figures rose as one.

They turned their backs on the stage and faced the Duskwardens pouring in. Forty-nine familiar faces smiled in the white glare. Forty-nine different voices spoke the same sentence:

"Please do not disturb the performance."

The figures moved—not with a mannequin's stiffness, but in smooth, bodyguard lunges. Wax steeped in love neither feared burning nor yielded to blows; sever an arm and the torso charged on. In the first second of contact, two holes were punched through the Operations Squad's formation.

Duskwardens had fought the rolebound. They had fought profane rites and madmen whose minds had rotted in afterglow. No one had ever fought "love."

The wax figures did not kill. That was the strangest fact, and within half a minute of combat everyone understood it in turn. They lunged, embraced, entangled, pinned.

They hurled Duskwardens to the floor and held them there, stopping every savage movement one degree short of shattered bone. The third-row figure with the rolled sleeves wrapped both arms around an operative's waist, upended him, then reached out with a waxen hand and, clumsily but with profound care, straightened the hat it had knocked askew.

"Don't use fire on them!" Sharlo shouted hoarsely over the melee. "They aren't puppets. They're forty-nine living loves. Burn them and you're burning hearts that belong to other people!"

"Then what do we use?" someone bellowed back.

Sharlo forced down the wrist of a figure lunging at him and thought furiously. Love had been poured into wax; now the wax moved in love's image. They guarded this "performance" because their love had been scored into that tune. The moment the organ sounded, they believed utterly that the play onstage was the one performance of their lives for which they had waited—

The organ.

"Raven!" he roared. "The organ! Forget the man—stop the music!"

Viola stood trapped between two wax figures. At his shout, she made a movement possible only for eyes that had not slept in six years. Her body dropped backward, slipping like smoke through the closing gap between two pairs of waxen arms. She hit the floor, rolled, and released her truncheon.

The end of the brass baton crossed half the cellar and smashed into the old organ's bellows.

It exhaled a great hoarse breath, like some enormous beast. The music collapsed for half a beat.

In that half-beat, all forty-nine figures faltered—the instinctive bewilderment of an entire audience hearing a wrong note. The Grand Organist drove all ten fingers back onto the keys. The tune resumed, and the figures came alive again.

But everyone had seen it. The organ held their strings.

"Operations, on my command!" Grey's voice cracked out from the rear of the audience. "Do not engage. Clear the aisles and let the figures return to their seats. Our only targets are the organ and the stage!"

Onstage, the cosmetician's music did not stop. It did not even change key. He turned his head slightly and inclined it toward Grey, who had entered through the broken window and landed in the aisle, greeting him like an old friend.

"Barnaby. Twenty years, and still punctual." His fingers streamed over the keys.

"Punctuality is the flaw men like you never shed. I wrote the curtain time where you could see it, and so you truly came at that hour."

At his feet, a grey fuse buried in the floorboards hissed toward centre stage.

"The true curtain time," said the Grand Organist, "was the moment you entered the house."

Scarlet flame erupted from Mrs. Margot's breast. The fragment tore free and rose to hover three feet above her head—but instead of descending into any wax figure, it changed direction. Like a fire-hardened nail, it drove straight toward the centre of the theatre, toward the only person in the entire melee with no writing above his head.

Sharlo.

The organ leapt into a higher register. The Grand Organist's voice cut through flame and battle, and for the first time revealed what twenty years had held compressed beneath its surface. Not devotion, but the ravenous greed of a man staking everything on a final throw:

"The Scarlet Queen's seed deserves better soil! For four hundred years the Dirge Society has searched the continent—for a slate no one has written upon, for a stage no one has ever built—the Curtainbreaker!"

The fragment ripped the air apart as it came down.

"You will be my Scarlet Queen!"